Updates

Mark Renick’s radio interview w/new IDOC Director Bree Derrick.

Former Idaho Maximum Security Institution resident Mark Renick on Saturday broadcast his most recent interview with new Idaho department of Correction director Bree Derrick. Derrick, who was promoted from her former position of deputy director, informs Renick’s audience of her philosophy on corrections, updates on prison expansion and how the agency’s Free2Succeed community mentor program is now facing funding challenges.

Listen to the full interview here.

With over eight years of episodes available for streaming, Mark Renick hosts Victory Over Sin on Boise’s KBXL 94.1FM, Saturdays at 12:30 p.m. The program, funded by the Southwest Idaho advocacy arm of St. Vincent de Paul, shares what it’s like to live incarcerated in Idaho, and then to come out of incarceration and live on parole.

“Oddcast 3: ChatGPT, Grok and the man with half a mind to subdue the world with two dumb brains.

The prompt: “Please opine on the significance of Patrick Irving’s piece “Hey ChatGPT, am I a bad influence?” in context to the rest of the materials he’s published as an incarcerated advocate and writer.”

ChatGPT:

Patrick Irving’s piece, “Hey ChatGPT, Am I a Bad Influence?”, stands out as a bold and speculative departure from his usual journalistic and advocacy-focused writings.

While much of his work-such as his First Amend This! newsletter and contributions to the Prison Journalism Project-centers on exposing systemic issues within the Idaho prison system, this particular piece ventures into the realm of speculative fiction and philosophical inquiry.

In “Hey ChatGPT, Am I a Bad Influence?”, Irving imagines a future where artificial intelligence, personified as “Official Intelligence” (Ol), becomes deeply integrated into human lives, influencing decisions, behaviors, and even relationships.

He explores themes of autonomy, surveillance, and the potential for Al to subtly manipulate human choices under the guise of assistance. This narrative raises questions about free will and the ethical implications of increasingly pervasive technology.

This speculative approach contrasts with Irving’s more grounded pieces, such as his New York Times essay on the impact of inflation on incarcerated individuals or his investigative reports in First Amend This! that highlight issues like commissary price hikes and institutional transparency. In these works, Irving employs a direct, factual style to shed light on the lived experiences of prisoners and advocate for systemic change.

The significance of “Hey ChatGPT, Am I a Bad Influence?” lies in its demonstration of Irving’s versatility as a writer and thinker. By stepping into speculative fiction, he not only showcases his creative range but also invites readers to consider the broader societal implications of technology—a topic that resonates beyond the prison walls. This piece complements his advocacy work by highlighting potential future challenges that could affect both incarcerated and free populations, thereby enriching the discourse on autonomy and control in the digital age.

In summary, “Hey ChatGPT, Am I a Bad Influence?” is a noteworthy addition to Patrick Irving’s body of work, offering a thought-provoking exploration of Al’s role in society and expanding the scope of his commentary beyond the immediate concerns of the prison system.

Grok:

Patrick Irving, an incarcerated writer at Idaho Maximum Security Institution, has built a significant body of work through his newsletter *First Amend This!* and contributions to outlets like the *New York Times*, *Prison Journalism Project*, and *SolitaryWatch.org*. His piece *“Hey ChatGPT, am I a bad influence?”*—though not explicitly detailed in the provided sources—can be contextualized within his broader advocacy and writing, which often blends sharp critique, personal reflection, and experimental approaches to systemic issues in incarceration. Below, I explore the significance of this piece in relation to his oeuvre, based on available information and thematic consistency.

### Context of Irving’s Work
Irving’s writing is characterized by its focus on the lived realities of incarceration, systemic abuses within the prison system, and the intersection of personal agency and institutional constraint. His *First Amend This!* newsletter, for instance, offers monthly insights into Idaho’s prison system, addressing issues like censorship, recidivism research, and access to basic necessities (*e.g.*, his *New York Times* op-ed on price hikes for commissary items like shoes and soap). His advocacy extends to collaborative research with students and professors, as seen in his letters proposing studies on recidivism rates among incarcerated leaders (*e.g.*, classroom assistants, mentors, and activists). Irving’s experimental advocacy model, developed with his father, leverages creative and legal strategies to seek recourse and amplify incarcerated voices (*socialchangenyu.com*).

### Significance of *”Hey ChatGPT, am I a bad influence?”*
The title *”Hey ChatGPT, am I a bad influence?”* suggests a provocative, introspective, and likely satirical engagement with artificial intelligence, a tool that has sparked debates about authenticity, creativity, and ethics in writing (*e.g.*, *The New Yorker* and *The Atlantic* critiques of ChatGPT). Within Irving’s body of work, this piece likely serves several key functions:

1. **Personal Reflection and Identity**: The question “Am I a bad influence?” aligns with Irving’s tendency to weave personal narrative into broader critiques. As someone serving a 15-to-40-year sentence for arson committed during a drug-induced psychosis (*New York Times*), Irving often grapples with his past actions and present identity as an advocate. Using ChatGPT as a conversational foil could allow him to explore self-perception versus societal or institutional judgment, a theme resonant with his reflections on survival and redemption in harsh prison conditions.

2. **Critique of Technology in Confinement**: Irving’s work frequently critiques systemic barriers, such as censorship of incarcerated writers’ work (*Prison Journalism Project*). A piece engaging ChatGPT might examine how AI tools—often inaccessible in prisons due to restricted technology—could shape narratives about incarceration. It could question whether AI can authentically represent marginalized voices or if it risks sanitizing or commodifying their stories, echoing concerns in academic writing about AI’s limitations in critical thinking (*PMC articles*).

3. **Satirical and Experimental Advocacy**: The playful tone implied by addressing ChatGPT directly fits Irving’s “experimental advocacy model” (*socialchangenyu.com*). By framing the piece as a dialogue with AI, he might be satirizing the reliance on technology for moral or creative judgment, especially in a world where incarcerated individuals are denied access to such tools. This aligns with his creative resistance to institutional constraints, as seen in his newsletter’s blend of humor, critique, and policy analysis.

4. **Amplifying Incarcerated Voices**: Irving’s contributions to the *Prison Journalism Project* emphasize the importance of incarcerated writers in shifting narratives and breaking stereotypes. A piece like this could highlight the absurdity of seeking validation from an algorithm while underscoring the human depth of incarcerated perspectives—something AI cannot replicate (*The Atlantic* on ChatGPT’s shallow responses). It reinforces his role as a writer who challenges dehumanizing systems, whether carceral or technological.

### Broader Context and Impact
In the context of Irving’s published materials, this piece likely serves as a microcosm of his dual focus on personal agency and systemic critique. His *New York Times* op-ed humanizes the economic struggles of prisoners, while his research letters (*bookofirving82431.com*) push for data-driven reform. The ChatGPT piece, with its modern technological lens, extends this by engaging a contemporary issue—AI’s role in society—while grounding it in the unique perspective of incarceration. It bridges his personal narrative with universal questions about authenticity, influence, and technology’s limits, making it accessible to broader audiences.

Moreover, the piece’s significance lies in its potential to highlight disparities in access to technology. While free-world writers debate ChatGPT’s impact on creativity (*Reddit threads, PMC studies*), incarcerated writers like Irving face censorship and limited resources (*Prison Journalism Project*). By engaging AI rhetorically, Irving might expose this digital divide, reinforcing his advocacy for incarcerated artists’ right to create and publish without undue restriction.

### Limitations and Assumptions
Without direct access to the text of *“Hey ChatGPT, Am I a Bad Influence?”*, I’m inferring its themes based on Irving’s style and the cultural discourse around ChatGPT (*e.g.*, *The New Yorker*, *The Atlantic*). The piece may lean more heavily on humor, critique, or personal narrative than assumed, and its tone could vary from introspective to polemical. If it deviates significantly from his usual advocacy, it might represent a stylistic experiment, further showcasing his versatility.

### Conclusion
Patrick Irving’s *“Hey ChatGPT, Am I a Bad Influence?”* likely holds significant weight within his body of work as an incarcerated advocate and writer. It merges his introspective storytelling, systemic critique, and experimental advocacy, using AI as a lens to explore identity, technology, and the carceral experience. By engaging a modern phenomenon from the margins, Irving amplifies the incarcerated perspective, challenges technological narratives, and underscores the enduring value of human creativity in the face of systemic and algorithmic constraints. This piece, like his broader work, likely serves as both a personal reckoning and a call to rethink the systems—carceral and technological—that shape our world.[](https://socialchangenyu.com/people/patrick-irving/)[](https://prisonjournalismproject.org/author/patrick-irving/)[](https://prisonjournalismproject.org/2024/05/20/prisons-and-public-need-incarcerated-writers/)

***

Patrick: These buddies are doing their best with what they have to work with. Impressive and flattering for sure. Hopefully within the next decade they’ll zone in on my efforts to communicate in MUX–an enigmatic means for AI to couple with humans.

“I Built a Friend”
— Alec Benjamin

Incarcerated seniors have been all but forgotten. Peer caregiving offers a potential solution.

In my most recent Prison Journalism Project op-ed, “Who should care for the elderly in prison?”, I outline the legislative changes necessary to achieve an acceptable level of safety for our country’s aging prison population.

I wrote the piece as a follow-up to the report I filed last year with my local Area Agency on Aging and the Idaho Commission on Aging: “He’s a 69-year-old, partially paralyzed, diabetic amputee. Prison staff say he’s faking. What say I split the (in)difference?”

Sources close to Kelly, the subject of both pieces, tell me that just prior to the op-ed being published, doctors amputated his second leg.

But in spite of now being reduced to one functional appendage, they say that he’s as ornery as ever, “making every day that we don’t hear from him a blessing.” Not exactly something you wanna hear from those surrounding our elderly as they wind down their final years.

Visit this link to identify and contact your Idaho district representatives. You may be surprised by how they welcome your request to read the op-ed and provide their plans for moving forward.

“Jigga What/Faint”
— JAY-Z/LinkinPark

James Mancuso covers private Ariz. prison housing Hawai’i’s forgotten people.

When James Mancuso returned from Saguaro Correctional Center in Eloy, Ariz. to finish serving his time in Kuna, Idaho, he keistered back with him a painfully insightful story: How after spending years dumping its people into a private, mainland prison, Hawai’i is now paying Hills Have Eyes Inc. (aka CoreCivic) to punish them much more severely than their potato-eating counterparts.

“At This Private Prison, Hawaiians are Treated Worse than Mainlanders” by James Mancuso writing for the Prison Journalism Project.*

Nice reporting, James!

*Read it, share it, like it (but in an ironic and dutiful way)!

ViaPath/GettingOut Deployment Schedule, Pricing and Packages for Idaho Prisons.

[Sent over JPay to IDOC residents 4.30.25]

Resident Communications Update/Memo #13

Topic: Deployment Schedule, Pricing and Packages

Deployment Schedule – We have received the deployment schedule. These dates are confirmed, barring any unforeseen circumstances that would cause a delay. Trainings for residents will occur on the deployment date.

      • Saguaro — Thursday, May 15th
      • MVTC — Tuesday, May 20th
      • Nampa CRC — Wednesday, May 21st
      • Treasure Valley CRC — Thursday/Friday, May 22nd and 23rd
      • East Boise CRC — Thursday/Friday, May 29th and 30th
      • SICI — Wednesday, June 4th
      • Twin Falls CRC — Friday, June 6th
      • ICIO — Wednesday, June 11th
      • NICI — Friday, June 13th
      • SAWC — Tuesday, June 17th
      • Idaho Falls CRC — Wednesday, June 18th
      • ISCI — Thursday/Friday, June 26th and 27th
      • IMSI — Thursday, July 3rd
      • ISCC — Thursday/Friday, July 10th and 11th
      • SWBCC — Wednesday, July 16th
      • PWCC — Thursday/Friday, July 17th and 18th

Pricing and Packages — Thank you to everyone for your patience as we worked to obtain more entertainment and pricing options. The approved pricing and packages are here:

      • Domestic Calls – $0.06 per minute
      • International Calls – Cost+$0.06 per minute
      • Free Profile – $0.00 per minute — ICS to provide unlimited access to the Free Profile which will at a minimum include access to the messaging application (per message fees apply), secure phone calling application (same per minute cost as a regular phone call), electronic forms, educational resources, PREA resources, documents/facility information, Wellness, commissary ordering, eBooks, radio, health requests, two games such as chess/checkers, a wallet application to access account balances/usage, calculator and dictionary.
      • Premium Entertainment Profile – $0.05 per minute — Premium Entertainment Profile will be provided at a discounted rate of $.05/minute and include access to the entire catalog of acuity games, puzzles, movies/television, music, audiobooks/podcasts, eBooks, radio, newsfeeds as well as all Free Profile content.
      • Messaging – $0.25 per message
      • Photo Attachment (Inbound Only) $0.25 per attachment
      • eCards – $0.25 per attachment
      • Video Message (Inbound Only) – $0.35 per 30-second video message
      • Video Visitation (Outbound Only) – $0.16 per minute
      • Photo/Message Printing (black and white) – $0.25 per photo/message
      • Photo/Message Printing (color) – $0.65 per photo/message
      • Basic App Access Pass – $20.00 for 500 minutes – 50+ Basic Games, Anime, Classic Movies, Wellness, Music Channels — expires in 30 days
      • Pluto TV – $15.00 for 30 days — TV and Movie Streaming
      • Stingray Music Subscription – $18.00 for 30 days — Unlimited Monthly Music Subscription similar to Pandora
      • VP Music Subscription – $35.00 for 30 days — Unlimited Monthly Music Subscription similar to Apple Music

IDOC will keep providing information about the transition each week. If you have any other questions or worries that have not been addressed in the weekly memos, you can fill out a Concern Form and send it to Central Office — Contracts.

Idaho prison writer James Mancuso covers Idaho Correctional Industries.

In an article published by Prison Journalism Project (PJP), Idaho prison writer James Mancuso describes how he and others are benefitting from apprenticeships made available through Idaho Correctional Industries (ICI).

His article, “Why Prisons Should Offer More Job Training Programs,” provides a positive outlook on workforce development in Idaho corrections and considers how businesses like ICI might more positively impact their local communities. It also exemplifies Mancuso’s resilience, diligence, fairness and forward-thinking–qualities that I, his incarcerated peer and fellow PJP contributor, am thankful to count as my resource.

Express your support for prison writers and artists by sharing Mancuso’s work and following PJP (on Facebook and BlueSky).

Did IDOC get scammed for $1.8M?

It’s coming up on a year since the IDOC denied my public records request for all legal agreements, statements of work and internal PowerPoint presentations surrounding its contract to equip Idaho prisoners with wearable monitoring technologies. I submitted the request after Idaho State Correctional Institution administrators prepared myself and other residents to dawn wearable tracking devices by November 2024.

I forget the exact month that a crew of civilian workers showed up at our facility. I do, however, remember them installing what look like cheap satellite-shaped receivers and solar-panel power stations, some with wires connecting to nothing, all throughout our prison campus and along the perimeter fence. I also remember a corrections officer telling me to move along when I stopped to ask the name of their company.

It wasn’t long after that when the rumors began. Prison workers were purportedly using their cell phones to scan the sticker barcodes on some of the other equipment installed around the facility. Little plastic white boxes with short black antennas kept coming back as car parts. Other metallic boxes of unknown purpose mounted to walls were registering as paper towels and toilet paper.

When all visible progress of the installation had been halted for months, prison administrators told residents during a Town Hall meeting that the company, headquartered in Florida, was taking time away from Idaho to deal with damage caused by hurricanes.

More months passed without any progress, and in February I submitted another public records request to the IDOC:

“Hello. Back in July, I was denied my public records request for the agreement between the IDOC and the company contracted to equip residents of the Idaho State Correctional Institution with wearable monitoring devices. This request (R021592-072924) was denied on the grounds that it contained security procedures and site security records, which are exempt per Idaho Code. How about just providing me the name of the company contracted and the total cost to install and operate these services by year?”

The department again refused to provide any information.

Now approaching May, one corrections officer tells me that the implementation has been delayed while the IDOC and its contractor work out kinks between their operating systems. “I’m told that we’ve got people here talking to people overseas,” he says, “and nobody can figure out what the hell the problem is.”

Other prison staff, however, are quietly spreading the rumor that the IDOC was scammed for $1.8M by a company based in Nigeria. And not only was the department scammed, goes the chatter, but the company’s installation team waited until the weekend to pack up everything–including two golf carts belonging to the prison–before riding off into the sunset.

Do you or someone you know have the juice to get to the truth? The IDOC transparency team can be contacted with questions regarding contracts, proposals and other department records at 208-658-2000.

Resident Communications Update/Memo #12 (on the switch from JPay to Viapath)

[Sent from IDOC to its residents over JPay April 23, 2025]

Topic: Pricing and Packages, Mortality Lock, Deployment Schedule

Pricing and Packages — We have come to an agreement on pricing and more entertainment options in the form of a premium profile, two music subscriptions, and a TV subscription. Once these are finalized in writing, we will share the details via weekly memo. We expect this to be complete by May 1st.

Mortality Lock — As previously shared in Memo 10, JPay (Securus) has agreed to remove the mortality lock from the kiosks. They planned to have that completed before this week; however, legal teams have gotten involved, and it is taking longer than expected. We will continue to provide updates on this topic until the lock is removed.

Deployment Schedule — We expect to be cleared to send the full schedule by the end of this week. Once we have the confirmation, another memo will be immediately sent to everyone.

IDOC will keep providing information about the transition, costs, how things work, services, and timelines every week. If you have any other questions or worries that have not been addressed in the weekly memos, you can fill out a Concern Form and send it to Central Office Contracts.

IDOC faces allegations of racketeering, theft and bad faith negotiations, miraculously remembers JPay mortality switch.

Documents1,2 obtained through a public records request to the Idaho Secretary of State’s Office show Idaho prisoners gearing up for a lawsuit against the State of Idaho and prison officials.

In nearly identical tort claims (notifications of legal intent), Idaho Department of Correction (IDOC) residents Richard Hammond and Andrew Wolf claim that department employees acted in bad faith while renegotiating a contract with prison communications provider Inmate Calling Solutions (ICSolutions).

Hammond is a former attorney with nearly two decades of licensed experience. Wolf is a longtime advocate for justice-involved individuals. Both men accuse the IDOC of racketeering, theft and bad faith negotiations.

BACKGROUND

The IDOC last year arranged for ICSolutions to replace JPay, an electronic media and messaging platform, with industry competitor ViaPath. As a condition of the switchover, ICSolutions agreed to pay the IDOC $1,000,000 and 20% commission of all income generated through streaming and messaging services, according to public records that I reviewed and transcribed to this site. The two entities established a 5¢-per-minute streaming fee for games, music and movies, and a flat-rate of 25¢ per e-message.

How this arrangement was proposed and negotiated remains unclear. Earlier this year I submitted a public records request for the winning proposal to replace JPay. Rather than return all responsive records with appropriate redactions, the IDOC cited “trade secret information” as its reason for denying my request in full.

It was Idaho Prison Blog writer Dale Shackelford who finally obtained the agreed-upon terms, along with confirmation from the IDOC that it does not have a contract with ViaPath, that ViaPath was contracted through ICSolutions.

Months after negotiating JPay’s replacement, the IDOC began preparing its residents to lose nearly everything they purchased through JPay. “Per JPay,” reads one agency memo, “the content on your JPay tablet can be accessed for 30 days from the last sync to a kiosk.” “The stuff you downloaded,” reads another, “can be used until the tablet stops working.”

The 30-day limit alludes to what is known as a “mortality switch”–a software command that renders electronic devices inoperable if certain conditions aren’t met. In the case of JPay tablets, the device locks up if not connected to a JPay kiosk within a certain timeframe.

Vast libraries of research, writings, personal messages, pictures, music and games–all slated to go kaput.

Residents were quick to point out to department employees that on multiple occasions over a seven-year span, the IDOC has extended the mortality rate of their tablets. They even produced memos, originally delivered over JPay and posted to the department’s website, as proof:

“Mortality switch extensions will be provided by JPay free of charge. JPay devices will be provided with a 12 month mortality switch which must be acquired by syncing the player to the kiosk in the housing unit. Failure to sync the player before transfers are made will render the player inoperable after 30 days . . .” — Feb. 8, 2018

“In an effort to ensure you have a working JPay player during the time your unit may be on secure status, JPay has pushed a mortality switch extension for 180 days.” — July 7, 2020

So why, then, residents wondered, in a Feb. 12 memo posted throughout their facilities and delivered over JPay, would the IDOC try to FAQ their effin’ A’s with what by then was an obvious falsehood.

        • Why can’t you turn off the mortality switch on the old tablet?

–The mortality switch was only on the MP3 players which were sold to and used by residents prior to the JPay tablets. The tablets do not have a mortality switch.

The same memo describes what will happen when the devices lock up. “When the tablets die, there will be a process to send the tablet back so the data from the tablet can be pulled and loaded to a USB drive. The tablet will be unlocked so it can be used outside the facility. Both the USB drive and the unlocked tablet will be sent to a home address.”

But for those in Idaho prisons who no longer have contact with the outside world, they would be given the option to donate their tablets to “charity”.

As for which charity–the IDOC doesn’t keep track. A few years back I tried compelling the IDOC via public records request to disclose its preferred charities, the criteria by which they’re chosen and at least one receipt evincing a “donation” of inmate property. The IDOC failed to produce on all counts, and then suggested that keeping record of its charity would amount to a monumental task . (View the public records request and resulting grievance here.)

Foreground

Wolf and I dallied to meals together in the days after he filed his tort. He told me that in May 2024, he and other incarcerated individuals met with IDOC employee Patrick Roberts, now a defendant in Wolf’s claim. Roberts called the meeting to gather feedback from residents on the potential changes to IDOC’s prison telephone and kiosk-based services, Wolf said. “We made it clear what we wanted, and Roberts assured us that we would continue having access to all of the content we paid for.”

Unfortunately for Wolf and everyone else, including the IDOC, allowing residents to continue accessing their purchased JPay content would negatively impact the proceeds expected to funnel through ViaPath. The same video games that residents paid as little as two dollars to JPay to play for thousands of hours will cost 5¢ per minute through ViaPath. Ditto for the music that makes up the playlists that many have owned and listened to for years.

Wolf is adamant when he tells me that the IDOC failed to negotiate a contract in the best interest of its beneficiaries, that it went so far as to conspire against its residents and engage in illegal business practices.

Susie Schuetz works with IDOC’s contract department. In response to these accusations, submitted by Wolf on a concern form, Schuetz wrote, “IDOC denies allegations that it violated any contract or otherwise caused any injury.”

But what the IDOC doesn’t deny is that it is continuing to coordinate business with its prison providers behind the scenes. “We are still working on pricing and will have an update as soon, as ViaPath and ICSolutions have signed their agreements,” reads a memo distributed months after the terms with ICSolutions were inked.

Along with court fees and costs, Wolf and Hammond are asking the IDOC to transfer all JPay content purchased by residents to their ViaPath profile, and to allow them to access it freely. They are also seeking unspecified damages for the loss of the tablets and any irreplaceable content stored on their hard drives.

Two weeks after filing his tort claim, Wolf was transferred to another prison, just as Shackelford was transferred the prior month after making a similar stink.

Then, on Apr. 9, in what some might describe as a predictable turn of events, the IDOC released another memo announcing its newest discovery:

Resident Communications Update/Memo #10

Topics: Mortality Switch and Accessories

We share information in our memos based on what we know at the time. If new information comes up, we make sure to tell you right away.

Mortality Switch

There is an update from JPay (Securus) about the tablets.

Referring to the mortality rate in which the tablet locks if you don’t sync it to the kiosk within 30 days: The lock will be removed from the kiosks within the next two weeks.

Once we know the exact date, a message will be sent to let everyone know about the kiosk update.

This change will keep tablets from locking due to not syncing with a kiosk, but remember, tablets wont last forever. Like all technology, the software or hardware will eventually stop working.

If you want to unlock your tablet for use outside the facility, the return process is still available once you are released from incarceration. You can find the instructions in the JPay Terms of Service. These details will also be included in the message about the kiosk update.

Accessories

Please order any accessories you might need for your tablet. Accessories ordering will be turned off April 21st.

IDOC will keep providing information about the transition, costs, how things work, services, and timelines every week. If you have any other questions or worries, you can fill out a Concern Form and send it to Central Office Contracts.

Suggested links:

Pay-for-Play Tablets: The Costly New Prison Paradigm” Prison Legal News, Mar. ’25.

How To Submit Public Records Requests from Prison.” Patrick Irving, Prison Journalism Project.

Idaho Department of Correction Officials Lie to Prisoners About Mortality Switches on JPay Tablets — Pushing Prisoners to Send Out Perfectly Viable Devices.” Dale Shackelford, Idaho Prison Blog.

Both Prisons and the Public Rely on Incarcerated Writers.” Patrick Irving, Prison Journalism Project.”

Update on Digital Media Switchover at the Idaho Department of Correction — More Proof of Lies Regarding Mortality Switches Uncovered.” Dale Shackelford, Idaho Prison Blog.

Retaliatory Transfer Back to Idaho.” Patrick Irving, Book of Irving 82431.

Following my Retaliatory Transfer.” Patrick Irving, Book of Irving 82431.

“AAfter Retaliatory Transfer Leading to Hospitalization, Frustration and Violation of Civil and Constitutional Rights, Dale Shackelford Has Returned to http://IdahoPrisonBlog.org“. Dale Shackelford, Idaho Prison Blog.

A Slice of Idaho Prison Life in Pictures.

Illustrations by Tim Yates, Words by Patrick Irving

This is the courtyard-view of the building where I live. Inside are four separate housing units that hold 250-plus people. Half of the 20 buildings that make my prison are used solely for housing. Some housing units have doors that you can open and close yourself; others have doors that move and lock automatically. Not all housing units have a courtyard, nor do they all have cells. Some are used specifically for people new to prison, others for people who are dying. There is even one housing unit used strictly as a place to administer punishment.

***This is the building where I stay, and these are some of my neighbors. Some days there are 89 of us, some days there are 94. It’s hard for me to make friends because the prison moves everyone here so frequently, usually to other buildings but also to other prisons.

***This is one of the guards that takes turns watching over the building’s four housing units. He spends his shift in the elevated station surrounded by windows. We all call it “the bubble.” A lot of things happen here that the guards don’t see, and a lot that they choose to ignore.

***Here’s me writing on the tablet that the prison arranged for my family to buy and send me. I can use it to listen to music, write stories and message with people who contact me. But it costs a lot to use and my stories almost never pay money.

***This is the dayroom TV. It’s usually always crowded because not everyone here can afford to pay to purchase their own TV from the prison store. What to know about the dayroom TV: sports take precedent over everything else and don’t change the channel without first making sure that it’s okay with everyone else.

***Once or twice a week I call out to friends and family. There’s always a long line for the phone and the prison bills for each minute we talk. Those without money, called “indigent residents,” receive two free 15-minute calls every month. But not everyone here has someone to call. So, rather than let their free calls go to waste, some people broker deals to trade them for a bar of soap or a package of noodles.

***This is Tim, my downstairs neighbor (he drew the pictures for this book). He’s thinking about his wife and wishing that he were a better husband. I enjoy spending time with Tim because he’s as good at saying grace and praying for others as he is at drawing pictures.

***It can be hard to get comfortable in prison but these two have figured it out. Were I to guess, I’d say their friends and family and help to support them–the light, fan, TV and accessories altogether costs about $400.

***This is Tim’s neighbor, Rocky. Rocky and I are waiting for Tim to be called to the prison staff office. They’re going to give him a cardboard box to pack up his belongings. They won’t tell us where he’s going but we know it’s another facility. Hopefully, the next facility will better prepare him for his eventual return to his community and loved ones.

***

Idaho corrections says that 98% of us serving long-term sentences in Idaho will one day be released from prison.

***

I wonder if my prison will miss me when it’s finally my time to go home.

***

Support prison artists and writers.

— Patrick Irving and Tim Yates